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Writing
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LARVAL
STATE |
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Novel (2008-9) |
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Moving from a house
is something more than a change of place; it’s also a rebirth intended to
erase the past and dodge a supposed destiny, but the protagonist doesn’t
know that besides the furniture and personal possessions that he transports
to his new house, he carries the thread that he has been tied to from the
beginning of his life. At the same time he doesn’t know that a new stigma
awaits him: all the neighbors considering him an intruder. Two fronts of
harassment are opened then, the irrevocable past that he brings with him and
the destructive efforts of the neighbors, whose only objective is to
destroy him.
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LETRANTERÍAS
AND OTHERS SHORT SHORT STORIES
(2008) |
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The most fitting letters
for placing books along the
central shelf are, no doubt, E, H, and A. H is excellent, but it has only
one shelf. E is unsuitable because it holds few books; on the highest and
lowest shelves, which are the widest, a few more fit, but some books are
very near the floor and easily become dirty, those above collect some dust,
besides to reach them one must be very tall or mount a chair; hardly two or
three fit in A, always only when they are not very thick, though they are
well protected from dust, but the triangular shape of the opening prevents
putting tall books on the sides, where however two jars of marmalade, for
example, fit perfectly. Z has the same unsuitability as E to which are added
those from A because of the lack of perpendicularity of one of its sides, on
the lowest shelf. Something similar to E happens with F, L, and T. The rest
show impractical curve lines, such as B, D, P, R and G with the aggravation
of little stability. C, J, O, Q and S are no worth putting anything on
because they are easily destabilized by the least jarring, and O
particularly comes loose; under I one or two books hardly fit; under K, M,
N, Ň, V, W, X and Y all have sharp angles, ideal for storing skeins of yarn
but not books.
Norberto
Luis Romero. Cologne, February 2007
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OFICIOS SIN BENEFICIO
microrelatos, 2008 |
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LA MUJER DEL VERDUGO
Estoy harta,
rezonga a menudo la esposa del verdugo. Por qué tienen que recordármelo a
toda hora y en todo sitio, si hasta en la panadería me dejan el pan
apartado y boca abajo, y cuando entro los demás clientes me miran de
soslayo, con desprecio y, nada más irme, los siento murmurar a mis
espaldas:
¡Es la mujer del verdugo!
¡Es la mujer del verdugo!
Lo mismo corean los chicos
cuando me los cruzo en la plaza, y fingen que juegan a la ronda:
¡Es la mujer del verdugo!
¡Es la mujer del verdugo!
Y cada vez que me acerco al
pie del cadalso a recoger la mandrágora mojada de semen, no se corta un
pelo ésta tampoco, y en el momento de arrancarla me grita con su vocecita
chillona:
¡Es la mujer del verdugo!
¡Es la mujer del verdugo!
Palma de Mallorca, 9-5-08
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